IN THE CANYON kicks off the season with a gripping narrative that explores the profound impacts of societal change. Under the direction of Jaimelyn Gray, this play will captivate audiences with its intense storytelling that explores the lives of its characters over several decades, from 2007 to 2067, as they navigate personal and societal upheavals. The play is a poignant reflection on resilience, community, and the ever-changing landscape of America.

Our cast of SEVEN actors and ONE multi-talented musician will whisk you away to a fictional eastern bloc country, Strevia, which has -via a military action- 'annexed' rival Dunsk. A troupe of actors, formerly known as The Players of Dunsk, desperately trying to survive as performing artists in a country with  meager culture - built on bath houses and radishes, and even less freedom, but with a corrupt and ambitious Minister of Culture with an agenda.

After the death of his father, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry, in the devoutly religious, relatively quiet small town of Cypress, Texas. Jason’s complicated relationships with the town pastor, the school bully, the girl next door, and—most especially—his mother are thrown into upheaval when Jason’s puppet, Tyrone, takes on a shocking and dangerously irreverent personality all its own. HAND TO GOD explores the startlingly fragile nature of faith, morality, and the ties that bind us.

Welcome to Almost, Maine, a place that’s so far north, it’s almost in Canada. It’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees may bruise and hearts may break, but as magic fills the air, the pieces finally fall into place – almost.